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©2005 by Lindsey Blank Who is Prettier? Studying the Affects of Age, Gender, and Ethnicity on Perceptions of Female Physical BeautyA woman is walking toward you on the street. Before she says a word to you, she already occupies a specific place in your mind. She is slender. Her small hips move side-to-side in her knee-length black pencil skirt with each step. She has a small, defined waist, and the outline of her breasts can be discerned from the way her blouse angles. As you get closer, you can make out more features. Her auburn hair is tied in a twist style at the back of her slightly long neck, where a few loose strands hang down. Her summer-colored skin is clear, and she has long dark eyebrows that frame her hazel eyes. She has a thin nose that turns slightly upward and pink lips that remind you a little of Steven Tyler’s. Is she beautiful? Is she white? Is she intelligent, loose, easygoing, sexy, reserved, undesirable, low-class, stupid, wealthy, aloof, average, or friendly? Is she the maid of a businesswoman, or is she the businesswoman herself? Would your perceptions change if you were a different person viewing her? The world, and specifically American society, is constantly becoming more mobile and diverse. Views and expectations held by groups of people differ with location and background. Thus each ethnic group has its own ideas of what is beautiful. Of course, it must be said that individual tastes do play a part in what a person might consider attractive; however, it has been proven that individual tastes develop and form in relationship to the norms of the society in which someone is raised. The United States is extremely racially and culturally diverse, and it is arguably the most obsessed with beauty. Beauty is an abstract, though very important, concept in contemporary U.S. culture. It is all around us, everywhere, every day. The study of beauty is not, for the most part, a traditional subject of scholarship. Because of its relationship to popular culture, beauty is often considered trivial. However, the impact of beauty resonates far beyond music videos and popular culture, as it directly influences how people classify themselves and how others classify them. It can determine how well people do in school, what kind of jobs they apply for, whether or not they are hired, who they befriend, who they trust, how high up they can move on the corporate ladder, their marriage prospects, and much more. Conscious and subconscious levels of thought play a role in determining which physical features people believe are beautiful. In this essay, I explain the results of a survey in which I polled Latino/as and white Americans to find similarities and differences about what the different groups feel is beautiful. I explore these results and the reasons surrounding each group’s choices. In the final section, I discuss the implications of this reasoning. I designed a survey to aid in my research (Graphed Survey Results available from author). With its results, conclusions can be drawn about the roles that the media, gender-specific experiences, and ethnic background have in shaping conceptions of physical beauty. The survey is designed for two groups: children between 7 and 8 years of age, and adults 18 and older. I polled second graders from Cherokee Elementary School in Lake Forest, Illinois, and Ortiz de Dominguez in Cicero, Illinois, on April 5, 2004 (Student/School Profiles available from author). I also polled adults in the Madison area, including students at the University of Wisconsin. Altogether, I used 276 surveys. Using 14 photographs of young women, I asked participants to rate the women from most beautiful to least beautiful according to their individual opinions. The photographs are all of women that popular culture defines as attractive, photographed at least to the shoulder, so that body type can be ascertained. None of the photographs are of famous or generally recognized women, in order to avoid biases. The women in the pictures can be categorized into four different appearance-based groups that remain unknown to the participants. Photographs are labeled A-N and arranged in random order on a threefold cardboard presentation board. Group A-D includes Anglo women whom popular culture would consider beautiful. They are thin and have straight, if not blonde, hair and small features. Group E-G includes Latinas who are also thin with straight hair and small features. They are almost indistinguishable from group A-D. The next grouping is that of women who are more noticeably Latina. Women in group H-K have darker hair and eyes and are slightly more voluptuous than those in the previous two groups. Women in group L-N have even darker features, wavy-curly hair, dark eyes, and dark skin tones. I have calculated results of the survey rankings to show how females, males, adults, children, Latino/as, Caucasians, and combinations of these categories (male Latino children, white adult women, for example) perceive physical beauty. I made three calculations. For the first, I used choices 1-7 on the surveys and found which women were chosen most by each group. The second calculation used the first five ranked positions on the surveys and tallied which groups of people had discernable preferences for Latinas or White women. In the third calculation, discussed below in the “Women Critics” section, I used the number 14 spot (least attractive) and compared the ethnicity of the person surveyed with the ethnicity of the woman he or she chose. Terminology and Classification
Labeling the diverse populations originating from Central and South America, as well as parts of the southern and southwestern United States, is a difficult task. The terms “Latino/a” and “Hispanic” are umbrella terms that do not account for class, national origin, or generation. Nevertheless, they are generally accepted. I use these terms and specify further when needed. The term “Latina” refers specifically to women of Latin American descent, while “Latino” refers to a man, and “Latinos” can mean a group of men or both men and women. In this paper, I refer to male Latinos as Latino(s) and female Latinas as Latina(s). When I want to include both men and women, I use the increasingly accepted term Latino/a. I use the terms Anglo and Euroamerican interchangeably to refer to American people of European descent. In the graphing of survey results, I use the term “White” to describe women with Anglo features, whether they fit the “White Latina” classification or are Euroamericans with no Hispanic ancestry. When I discuss “ Latina preferences,” I refer to “Selena Latinas” and “Ethnic Latinas.”
Physical Appearance: Three Latina “Types”
Representations of Latinas in film, television, and magazines provide a narrow vision of Latina body types and physical appearances. In her article, “Resisting Beauty and Real Women Have Curves,” Figueroa (2003) states that Latina physiques are classified and typically appear in the media in three main ways: the magazine Latina, the negotiated Latina, and the ethnic Latina. The women mentioned first are Latinas who have physical features generally associated with Anglos. They are thin, and sometimes can have a slightly darker complexion or brown hair, but otherwise are indistinguishable from Euroamericans. They are often the tan version of their Anglo counterparts on the covers of Cosmopolitan, Elle, and Glamour. Latina magazine is one contributor to this image. In the April 2004 issue of Latina, Christina Aguilera appears in an article about losing weight. She is an example of what we will call a “White Latina.” Besides her surname, there is nothing about her or her physical appearance that would indicate her latinidad. She is of Irish and Ecuadorian descent (MTV Networks 2004). Soledad O’Brian and Paulina Rubio are other examples of White Latinas. ![]() Throughout the pages of Latina magazine, there are articles about makeup, fashion, celebrities, and cooking, not unlike other magazines targeting women. What sets Latina apart is that it caters specifically to the Latina community. Latina claims to represent Latinas of all sizes, shapes and colors. However, Figueroa would argue that it really reinforces Anglo cultural norms, especially in reference to beauty:
Latina unfortunately entraps and contradicts itself in its attempt to represent and be inclusive of all Latinas as it perpetuates hegemonic thin bodies…While the magazine attempts to retain those ethnic markers and signifiers for authentic representation, it modifies them as exceptions to the mainstream ideal of white beauty, only to reveal that those exceptions can also pass as white (Figueroa 2003).
In essence, Latina’s presentation of bright clothing, celebrities of Latin American descent, articles about marrying white men, and exercising away the “pudge” that was celebrated as “cadera,” or hips, just pages earlier, hides assimilationist tendencies. While it caters to a Latina audience and tries to negotiate between cultures, Latina reinforces Anglo beauty standards and thus marginalizes other body types and appearances that are unique to Latinas. In this way, Latina’s mission is contradicted by its content. With the murder of singer Selena Quintanilla Perez in 1995 came a massive outpouring of grief by her fans and unprecedented mass media coverage. The Tejano music star gained popularity, and her record sales skyrocketed. Prior to her death, Selena was virtually unknown to non-Latino/as. English-language media coverage of her ![]() Selena’s look corresponded with her image. She is what Figueroa (2003) calls a “negotiated Latina,” meaning she has some features, like her bigger thighs and café con leche skin, that make her physical appearance different from that of Euroamerican women and Anglo beauty standards, including those often pictured in Latina. Selena’s death and the promotion of her image gave other Latino/a stars opportunities in the U.S. media. The Selena phenomenon and the increased belief by media executives that there is a market for Latino/a actors, singers, and other performers opened doors for people like Ricky Martin, J-Lo, and Salma Hayek. ![]() A third type of Latina portrayed in the U.S. media is that of women like America Ferrera’s character Ana in the film Real Women Have Curves. The Ethnic Latina is seen less often than the other two Latina “types.” Roles for women who have darker skin, larger features, and shorter frames are limited in the U.S. media. This occurs in Latin American countries as well and is a direct reflection of colonial standards of beauty (Mejia, personal interview). What makes the Ethnic Latina look different from the other two aforementioned looks is that she is distinctly more ethnic and less “American.” Usually women who have ethnic features are limited to peripheral roles as service workers or villains. Sometimes they are able to be desexualized altogether and play ethnic comedy roles, though this happens more often for men, and rarely at that. In my work, I have used these three basic mediated classifications that Figueroa outlined, though I call women categorized as the first physical type “White Latinas,” the second “Selena Latinas,” and the third group remains “Ethnic Latinas.” Latinas who are physically distinct, whether as the Selena type or the Ethnic Latina, are not typically allowed enough space in Hollywood as writers, producers, directors, actors or technicians to promote a healthy, honest, and positive Latina image. Though there have been some recent changes, both in the image itself and with relation to the visibility of the image in the U.S. media, it is debatable whether or not the results are positive.
Euroamerican Boys: A Discrepancy? In my survey, Euroamerican boys were the only Anglo group to prefer Latina women. Euroamerican boys had the strongest opinions of all the children, and 22 percent of them preferred white women, while a notably larger 29 percent preferred Latinas. At first, one would be quick to dismiss these unusual results as a coincidence; however, there are several possible explanations why the young Anglo boys chose as they did. Euroamerican boys potentially see Latinas the way other Anglo men, perhaps their fathers, do—as sex objects. So they are not offended or alienated like Latina girls are when a Latina is pictured in a less than complimentary way (Graphed Results). This is likely a product of the Hollywood Latina image. Latina bodies have been exoticized since colonial times, and the U.S. media continues to portray Latinas as objects of desire or passion even more than their Euroamerican counterparts. Historically, women have been viewed in sexual rather than intellectual contexts, and ethnic women even more so because of the racialization that came out of the American colonial period (Beltrán 2002). In colonial times, a woman’s value was contingent on her marital status, virtue, and marital potential. Because the dominant male Anglo portion of society did not consider Mexicans, Native Americans, Africans, Puerto Ricans and other traditionally darker-skinned women fit for marriage, the men saw the women as sexually alluring and tempting—as forbidden fruit. Beltrán states that “non-marriageable mestizas in this context arguably were viewed as little more than potential sex objects” (2002). Within this sexualized framework, Latinas have been perceived as naturally having more sexual desire and little control over their primal sexual impulses. The notion that Latinas and other women of color are sexier than Anglo women, who were viewed as respectable and chaste, resonates in modern culture as well. Beltrán discusses how Latina stars often have been marketed with an ethnic twist that focuses on their bodies and their sexuality. Even early U.S. films marketed Latinas with sexual stereotypes. They are often marketed with words like “firecracker,” “tamale,” “spitfire,” and “tropical,” as well as sensory descriptions like “caliente” (hot), “dark,” “spicy,” and “delicious.” Often their dress is exoticized, their roles are limited, and their marketing and biographies are manipulated. ![]() Jennifer Lopez epitomizes this ethnic marketing (see Image 4). The focus on her posterior and the hypersexualization of her image depicts the American-born star as “different” from her Euroamerican female costars. She is marketed with typical stereotypes of independent, sassy, and sexually open Latinas. These images affect how people define proper role models. Unlike young girls, boys are not normally encouraged by their families to have female role models, and perhaps regard women, especially mediated versions, as objects (Beltrán, personal interview). They have the media and the reactions its images inspire in adults on which to base their opinions of female physical beauty. The results of the survey show that adult men who might be fathers or other prominent figures in young boys’ lives also have strong inclinations toward Latina women. Of male Euroamerican adults, 31 percent preferred Latinas. Another 38 percent of these men chose a mixture of Latinas and Anglo women. Comments regarding beauty and physical appearance have an impact on how boys look at women, and objectified presentations of Latinas in the media do not usually inspire insightful positive feedback. This modeling of behavior, along with mediated images of Latinas’ inherent sex appeal, account for the large number of Euroamerican boys choosing Latinas.
Latina Children and a Skewed Self-Image
The survey showed disturbing results for Latina children. The figures show that Latina children prefer the way White women look, and it was White women who usually occupied the top three places on Latina children’s surveys. The woman most chosen by Latina girls was letter A (Survey Photos available from author). The lack of Latina picks by Latina children demonstrates the need for more positive Latina role models both in the media and in the lives of these young girls. Because children and adults alike tend to equate beauty with personality and success, these models must have, or be marketed with, positive character traits along with physical features that distinguish them as Latinas. Latina children were the only group of females to choose more women outside of their own ethnic group. Unlike Euroamerican boys, the Latina children did not see Latina women as possessing physical appeal. It is likely that because there are so few positive and complex Latinas shown in mainstream media, Latina girls look to emulate Anglo women (Beltrán, personal interview). In this way, they are not finding sufficient validation for their own physical appearance and thus their ethnicity in general. ![]() Children Now findings show that Latinas account for only three percent of all female roles on primetime television. Most Latina women are in service roles and have accents and “attitudes.” Children Now states, “ Latina characters are…often secondary to the plot, and have non-recurring roles” (Children Now 2000). Latina characters are also limited in film. They often play the role of the seductress, the maid, or the gang member’s girlfriend (see Image 5). There are few Latina stars who children admire in comparison to the number of Euroamerican movie stars available in the media. The fact that Latina children preferred White women is interesting but not surprising. Latino boys did not seem to have very positive attitudes toward women within their own ethnic group either. On the survey they favored Latinas, but only by a small percentage. This result is similar to that of research by Kenneth Clark in his revolutionary study of the psychology behind segregation in the early 1950s. Clark studied the responses of both white and black children who were given a choice between white and brown dolls. His tests showed a preference for the white dolls even among African Americans from as early as three years old (Encarta Africana 2000). Decisions made by Latino/a children that give preference to the mainstream group, rather than the group to which the children belong, show the impact of segregation and discrimination. Though enforced segregation is illegal, it still happens on different levels. Economic segregation keeps neighborhood and school populations virtually homogeneous, and media segregation promotes social inequality. While it is on a subconscious level, these children feel that the way they look is somehow less beautiful and less worthy than the way Anglos look.
Women Critics and the Self-Directed Critique The number fourteen spot on the survey represents the “least” attractive woman shown in the photographs. Every group of females, save Latina children, found women of their own ethnic group to be the most attractive. Following the preferences, it would only make sense that women of a different ethnic background than those surveyed would occupy the number fourteen spot. For instance, Latina women preferred Latinas by the largest percentage (49%), and thus it would naturally follow that the most chosen unattractive woman would be White. This was not the case. Latina adults and Latina children chose Latinas as the least attractive women considerably more often than they chose White women to occupy the number fourteen spot. In the same way, Euroamerican women and girls also chose White women as the least attractive. Since patterns like this could not be found among male participants, I argue that the women surveyed are self-critical and have distorted beauty goals and standards. Whether adults or children, females are taught to be critical of their own physical appearance. Women also tend to be more critical of other women. The overwhelming numbers of women choosing the least attractive woman from their own ethnic group shows that women have been taught beauty standards and are more likely to reject someone who they feel fails to live up to this learned model. Women are the most critical of women who have what they view as undesirable features that they themselves, or other women they know, have. For example, while I was conducting the survey, many people felt compelled to share with me the reasoning behind their choices. One adult Latina woman with red wavy hair pulled back into a ponytail told me that she had trouble choosing the woman to occupy her number fourteen spot. She told me that she finally chose letter N because she “didn’t like the kinks in her hair.” A Euroamerican girl told me that she chose letter B as number fourteen because “She looks like this girl I know. She has a really skinny face” (Survey Photos). These kinds of comments were presumably made on subconscious levels, perfectly natural and not subject to analysis by those making them. Nonetheless, these and other interjections about physical appearance show that while women find features from their own respective ethnic group beautiful, they also have distaste for women in their own ethnic group whose looks do not fit into the idealized physical mold. Women have been made to believe that parts of their own physical appearance are ugly and undesirable, or that they are lucky not to have these unattractive features. They then project these images of perfection and their failure to live up to them onto other women. Girls as young as 7 and 8 years old already adhere to these concepts of beauty and imperfection. Judgment is natural, but it is telling that women have the tendency to find fault with the physical appearances of those who look most like them.
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